the first release features two original tracks and one remix. back home in itself opens up with emotions and feelings of mysterious dark atmosphere that won t leave you indifferent as a listener or a dj. field of dreams is brimming with various textures that form strange feelings but at the same time delivering a clear message. the remix on side a sounds very precise and sophisticated. the minimalistic groove of the entire track forces your feet to move.

there is significantly more than a scintilla of exuberance on cosmin trg’s first 2016 venture on his own fizic imprint. number four in the series further explores the dense textures present on last year siiiep, but largely dispenses with the ennui in favour of a different discourse. oblic offers a brisk groove that ebbs and flows among graphite-thin layers of percussion and sonic debris. the recurring dust sample amplifies the vigorous rhythmic attributes of the track, rendering it withprime dance floor capabilities. serpenti takes distant sparkles of mutant chimes, wraps them around the relentless pulse of thudding kick drum and soaks everything in static. granules and grit are extracted from circuitry with a focus on razor sharp sound system efficiency. produced by cosmin trg, transformed by matt colton at alchemy mastering, with original artwork from cosmin himself.

full dose is a brand new label operating from glasgow, and for it’s first 12 inch has hired the inimitable talents of none other that rotterdam’s ian martin, under his akhiezer alias. most of you will know martin from his various albums and 12 inches over the years for some of the underground’s most esteemed labels: bunker / panzerkreuz, further, new york haunted & legowelt’s strange life to name a few. for the foch reflection ep, martin delves into his trunk of electronic curiosities to take us on a trip of ambient textures, dark synth work, creeping rhythms and out-there techno / electro jams that are at once arresting and unique!

bret winans (aka cb-r & cb radio) produces music out of a studio in brooklyn. using a variety of gear that has been amassed over the past decade, hes experimented with house, italo, techno and more. 2014 saw the release of cb-rs inside existence, an ep of dub techno and ambient textures that launched the s/p/a imprint. hes also appeared on the 100% silk 2015 label comp, sunset silk, as cb radio with the more italo leaning pacific ocean blues. with each release were opened up to another side of the producers world. available on full color jacket lp by new york based visual artist and musician jay goitia.

we are glad to introduce “fareed” half part of the french duo “society of silence” for his first solo ep on a label. with the “phausis ep”, fareed offers an interesting balance between emotional melodies and organic textures, raw sonorities : the result is full of tension and very personal : another point of view on the techno. we choose three original tracks and ask to our friend voiski to work on a aerial and refreshing remix which sticks perfectly with the original project. enjoy …

finnish techno label black. releasing its vinyl record with finnish producer and dj albert williams. feel the atmosphere of his dark and deep textures combined with absorbing hooks. remixes come from kryss hypnowave from italy and hannu ikola from finland. already supported by many artist around the globe. a must have for all techno lovers!

primulus ep, brought to you by secret factory a hungarian based duo. the two tracks on the release introduce their unique, dancefloor-shaking definition of house. all in all this ep is a haunting piece which travels through a rich landscape of fine textures. comes as a 12“ vinyl with personalized sleeve design.

the btrax records label is back after few years off, and we are sure that new ep will not disappointed you. we are very proud to put out 2 stunning tracks made by one of the label founder : ben men from paris - france.french electronic music scene activist since the early 1990s, ben men is a multifaceted artist, both dj, records dealer, producer and party promoter. since 2001, ben men s btrax parties are hosted at legendary rex club. co-founder of the label -btrax records” with releases of the legendary 7 scan from detroit, vince watson, electric rescue, scan x, julian jeweil, mr c... he was co-founder and manager of record stores statik and basement trax records from 1996 to 2002.just a quick description of the tracks, “the journey” is… as you can imagine, a musical journey track clearly dedicated to the label influences. landscapes of twisting textures, brooding melodics which embarks upon a stunningly trippy journey of it s own.“morning glory” a straight-up slice detroit-infused melodic techno, adds a tough drum line and sweeping touches, as his signature style shines through

decisions is proud to announce its second release: empty gallery ep by waterhouse, a melbourne based producer, dj and vocalist. the ep spans 3 years of waterhouse productions (2013-2015), charting a sonic emergence suffused with spatial, textural and emotional complexity. the ep opens with ‘breathless’, a heady rush of ambience, shimmering cymbals and field recorded textures. ‘a little sheep’ follows, progressively immersing the listener in accumulating layers of vocal melodies. on ‘3415’ rapturous choral textures encircle delayed claps and a reverb-drenched kick drum to form the most urgently rhythmic cut on the record. side a ends with title track ‘empty gallery’, in which an intricate constellation of strings, pads, rumbling sub frequencies and brusquely dry percussion meet lyrics confronting life after loss.

shining bird frontman dane taylor serves up a beautiful piece of mellow beach pop, drenched in antipodean sunshine. this is made for sipping cold drinks under palm tree shade or swinging hammock dreams. the flip sees balearic commander in chief leo mas and his ever present colonel fabrice deliver a truly stunning piece of balearic chug. deep ambient textures capturing the essence of a smiley sunset. happy happy. uber hitting the balearic nail on the head once more.

** released on vinyl only **!!
in the space of two short years shlømo has quickly established himself alongside the likes of marcelus, bambounou, francois x and the antinote records crew as a key figure in paris’ current techno generation. having established his own taapion records label in 2013 and built a roster around a core of local producers including roman poncet, pvnv and antigone, in addition to enlisting stephen brown, conforce and sterac as remixers for the label’s releases so far. for its fifth release, bright sounds - run by fellow parisian kennedy smith - revisits last year’s rechaïm ep (bsrx003), with a trio of remixers offering their own takes on shlømo’s established deep and expansive sound. first up is the aforementioned 50 weapons artist bambounou, who offers a dynamic groove-based version of the title track that bounces along an elastic kick drum with cut-up fragments of the original’s atmospheric pads providing further impetus. label owner kennedy smith takes on theory is the worst by bringing its dub textures to the for while filling the track’s empty spaces with intricate drum patterns. finally, italian techno pioneer donato dozzy turns grounded queen into a classic dozzy slow-burning techno trip, with his trademark layered sound complimenting the track’s subtle rhythmic backbone.

the r zone series excels at raw, inventive, off kilter club music from a range of mysterious artists. that fine tradition continues once more here with another four cuts of inventive music that takes cues from techno, idm, acid and house. lumidei is all wonky drums and out of time hits and is a brilliantly weird cut full of spacious atmospherics. mynheer is built on a bed of broken beats, knocking hits and metallic textures that all tumble and fall around loosely and invitingly.

from the label: in blood is the stunning 4th album from uk based multi instrumentalist, sunset graves. following up 2015 s acclaimed opus love pours into death this brand new album goes deeper and darker with sonics for casual beat heads and intertwining textures to reward the deepest of repeat listens. this is sunset graves in widescreen, journeying through genres and landscapes, incorporating ambient, drum n bass, glitchy rhythms, bass music, field recordings, sound design, tech house, chamber orchestra and even post rock. 3rd & debut records releases eclectic electronic music by sunset graves, the sample based lo grounds (as featured on joris voorns fabric 83) and the more experimental soundscapes of tpique. in blood is our first full length vinyl release, presented on deep black virgin wax, black inner sleeve and a full colour insert. supported by earmilk, textura and the formant.

the frosts of finland are blasted away by the radiate synthesizer sunlight of surf dancer! rich analogue textures are supported by surf dancer s love of the vocoder, computer-spoken lyrics twirling amidst addictive melodies and clean-cut beats. sweet notes and even sweeter words swirl in this world of ray guns, unicorns and of course rainbows. strings soar skyward in the elation of -rainbow man- before the sleek funk of -rocket in my pocket-. joy pours from the needle drop, instant happiness and body moving music from start to finish, the end coming in the xylophonic goodness of future in the night-.

bad taste recordings hit 2016 in severe kinetic style with a fresh pair of tracks launching the identity of malux, the new neurofunk-focussed moniker of established bass producer skope (inspected). with turbine and fonk the agenda is clear – energetic, funk-fuelled dnb driven by detailed low-frequency design and a boisterous rave vibe.
turbine carries with it a stripped aesthetic, with a percussive pattern driven by the snare and wonky plucked synth work. this is heads-down, bassface material for ravers to get into step to.
fonk on the flip hits a cheeky upbeat tone, switching slickly between bass textures punctuated by staccato sonic fragments.
with support from scene titans such as andy c, the upbeats and radio play from friction on bbc r1 and crissy criss on kiss fm, malux has immediately caught the attention of those who know. bad taste hits the nail on the head again, introducing another name with a big destiny into the halls of dnb.

ps006 brings things back to the foggy outskirts of techno somewhere close to s olbrichts praised trancess twelve inch. from the relentless momentum of the futuristic *station crucial* to the sinking cathedral depths of *stare at the word*, plus concrete brutalism of *surrender*, all rely on a steady techno pulse trapped in visceral synth textures crunching their way through vacuum tubes.

monoloc makes his debut on hotflush recordings, the labels first release of 2016. following a recent single on innervisions and an appearance on life & death, his latest offering another thing marks a departure into more atmospheric soundscapes. the murky grandeur of the title track lends itself to moody textures that build in narrative, walking a knife-edge between ndustrial techno and minimalist dub. trysome conjures the setting of a dilapidated warehouse rave at 5am, while makeless, with its low-slung percussive elements draped over misty pads and imposing bass, draws the listener further into monolocs wormhole.

a family move to germany in the 90s expanded his horizons and musical repertoire but his homebase sound remained the same tech house and techno with groovy rhythms and bang out beats. as an artist, he has released on drumcode, cocoon recordings, soma, intec, bek audio, traumschallplatten, trapez, herzblut and bedrock. his tracks are always a mixture between dancefloor moovers including groovy rhythms and big basslines. mark reeve presents his second release on drumcode, run back, a four track ep crammed with heavy hitting kick drums and his signature big basslines. the dark sounds and heavy textures are typical of reeve and hes showing no sign of slowing down yet. four tracks of brooding techno, this ep is one not to be missed.

john heckle is back on mathematics with this 4 track ep. bringing back some serious textures and sequence in sonic mentalism. reminiscent of laidback spencer kinsey (gemini) or early derrick carter in his red nail days. dope!

cold, dark seasons right now, but spanish producer adex izquierdo has the remedy: forcing you onto the dancefloor until sweat drops down your forehead. -the spirit ep- houses four techno-tunes with groovy beats that pound constantly. climbing synth themes float amongst a barrage of drums in this rather anthemic yet controlled release from adex. all in all this time ep blends warm, analog textures, frenetic tones and accurate, intense drum programming. played by hawtin, dubfire, capriati amongst others.

after putting out three excellent mixtapes (from andrew lyster, leif & joe ellis and nick craddock respectively), collapsing market are now ready to release their first record. eszaid (aka louis vial, one half of mura oka) inaugurates the imprint with four foreboding & gloomy trips that traverse through techno s darker shades into haunting ambient. louis vial merges slow drum patterns with foggy textures and sparse arrangements, reminiscent of early kassem mosse material. this is an incredibly affecting and mature first ep from the young producer who launches the label in the best way possible... and look out for the thoughtful artwork including a beautiful obi strip and reflective silver sleeve!

its always been tricky predicting what firecracker recordings will release next, though few would have expected an ep of freestyle, darkside drum machine jazz and percussive drone from berceuse heroique, nous and bedouin regular healing force project. sounding like early 23 skidoo replayed on drum machines and samplers, theres much to admire about the hectic rhythms, foreboding textures and dusty samples at the heart of gravitational lensing. its unclassifiable and completely out there, paranoid, dense and intense, with the fizzing drums, mangled horns and metallic percussion hits of random walks just edging out the experimental jungle-jazz madness of apophenia in the top tracks stakes.

the girl and the chameleon will probably fall under the genre tags of acid, electro and techno but it is so much more. witschkowski has been responsible for exemplary electronics throughout his career and this latest is undeniably some of his best. the album sees the exaltics don a dust mask. warehouse parties, strobe lights and fog machines and the 90s underground acid scene are definite influences. but theres more. across thirteen tracks and two slabs of wax the jena artist takes you on a journey into his world. gnarled and clinical grooves, caustic 303 encounters, depraved dancefloor destroyers and soothing machine music. a sonic trek through tough and taut textures with touches of tenderness. an album that shows a depth of ability, an enviable talent and a knowledge of how to break floorboards.

the lead track of the ep delirium, takes influence from a number of sonic avenues providing a considered cut of dub-techno inspired house. the pairs ability to handle percussion and carefully manipulate samples results in a sophisticated swung drumbeat sitting neatly over an addictive dubbed out stab and mysterious vocal sample.

with this new project, madben & yann lean get back to the essence of techno with a raw sound based on groove, textures and catchy hooks. influenced by 90s rave sound et artists like jeff mills, surgeon, dj pierre, dave clarke or dj funk the french producers like to write their music on-the-fly and are adepts of a very spontaneous track conception. with trunkline they bring back the unique texture of analogic techno. trunklines vinyl label will release the duos eps. they plan to release one maxi per trimester. the project will also take to the stage as a four deck dj set and then a 100% machine live performance in the summer of 2016.

after a first lp supported by various artist as rone, rodriguez jr, ark, electric rescue, morpheus or laurent garnier, timid records is proud to announce arno gonzalezs second album: *the delivery boy*. more personal (no featuring this time) and more direct into producing process, arno tells us pieces of his own story: a come back from a gig in brest (back from vauban), a crazy sunday afternoon (domingo dance), a trip to japan (kimura), a train ride to charles de gaule airport (angers/cdg). he also recalls with a dose of sorrow the cycles effects of buzz and modes into music (less was more) , the old time techno (the break), noisy and synthetic funk (the message) or the crazy run of a delivery boy (the delivery boy) which will be soon clipped by the motion designer smoh. the most surprising thing after a first listening is the work on textures and vibes which give consistency to the all album sailing between electronica, inspired techno and house grooves. finally, camille rodriguez and damien *timid boy* almira give us 2 stylish and efficient remixes which will find, for sure, the path to best djs turntables. enjoy your meal!

orchestrating their return to kompakt with the much-acclaimed new full-length moonbuilding 2703 ad (kompakt 330 cd 124), iconic pioneers of electronic music the orb found fresh momentum in an enticing melange of psychedelic loops, deep textures and striving beats. the album saw the duo at the peak of its creativity, indulging in that distinct style of warped miniature epics they ve perfected, ever oscillating between ruminant sampling and propulsive jamming. with moonbuilding 2703 ad remixes / sin in space pt.1, we present three reworks willing to tackle the sonic thicket of the source material - and succesfully translating the orb s unique brand of musical insanity into their own resourceful idioms.

over a year since their last release, birdsmakingmachine come back hitting hard with a diverse three-track ep ranging from deep to minimal house. the title track “deaf crows” intelligently layers delayed snares and elaborate hihats into subtle analogue pads and melodies, resulting in a sophisticated, yet dj-friendly composition. at over 10min long, it’s an endless rotation of industrial rawness that manages to melt into the smooth and rich textures for which the birds are known. “black midget”, on the flip, goes into darker depths, with an almost broken 4/4 beat underlying overly swinging rhythmic arrangements and hypnotic synth lines that reminisce some of the earlier bmm material. finishing off the record is the simply titled “primos”, offering a more minimalistic approach with its intricate arrangement of quirky arpeggiating melodies and playfully juggling hihats, closing off the ep in the neatest birdsmakingmachine fashion.

resopal retrieves two more smoldering remix cuts on transparent vinyl. safe to say that both of them - the a side by heidelberg s casio casino (aka steffen neuert of bergheim 34 ) together with lopazz - and the stunning b-side by our marseille connection roar - are absolute stompers. what we have here are two finely crafted remix versions of the original that seduce the dance floor in totally different ways. both contain perfectly structured arrangements that creep up on you with the stealth of a ninja, making them a real pleasure to mix with. the heidelberg guys show a minimal disco hybrid version of the original. from the moment the bassline emerges from a dense thicket of white noise the pair make their intentions clear. with expertly-crafted sequences punctuated by dramatic crescendos and distinctive mood changes their re-work is a melting pot of styles and influences that somehow manage to coexist, creating a rich montage of sounds and textures. on the b - french duo roar deliver hallucinogenic, long, patient grooves followed by some fantastically understated sonic tweaking which gives the track a real kick without ever losing that empty, laid back vibe.

nice price deal !!! ephemerals debut on helena treats us to three deep originals, offset by a characteristically storming xdb remix on the flip. molecular and cirrus combine gritty textures, half-heard phrases, pulsing bass and cyclical synth and acid lines into the kind of meditative sound experience familiar to fans of plan b or underground quality – but here, and especially on ammonia, overlaid by the distinctly dubby feel of drizzly afternoons spent at ephemeral s home in the midlands. xdb, true to form, grabs the latter track and sticks on some serious afterburners, setting controls for a revved-up voyage across the surface of some distant planet.

nice price deal !!! better strangers is the debut album by manchester based producer acre, set for release by tectonic recordings on 6th november 2015. the album follows eps on both tectonic and sister label cold recordings and visionists pan collaboration label codes. as influenced by rave & jungle, grime and techno as electronica, ambient and drone, his ep releases have been rhythm driven snapshots of other-worldliness spliced with dancefloor sensibilities. acre has sought to explore a wider variety of textures on better strangers to re-contextualise elements from uk bass music, bring them away from the dancefloor and open up new possibilities.

british born and now based in berlin, dead fader aka john cohen, most known for his work on robot elephant records and the brilliant collaboration with sensational on the ‘work it, no’ ep, now joins the touchin’ bass roster with the ‘dosage’ ep, a heavy duty, unrepentant body of work that exposes john’s diversity. easing you in gently is ‘booze lair’, a slow building, infernal, smacked out foray that is both biting and compelling, followed by ‘tired’, a fiercely adrenaline-charged, dynamic workout that moves and mutates, heavily laced with abrasive textures. the title track ‘dosage’ is a straight up slice, filled with cranks and grinds which jars and grates, punctuated with weighty subversive beats and a low res undertone, followed by the calm after the storm, ‘easy sun’. an epic piece, pushing distortion to the max. no nonsense, this is one heavy slab of vinyl. solid!

following a stellar contribution to radio slaves clone wars remix package, markus suckut makes his full rekids debut with the heat on feet ep. the three tracks on offer capture suckut s ability to marry intensity with groove, with the toughness of his iron-forged techno breakbeats and ambient textures.

after the success of the henry wu & chaos in the cbd releases, rhythm section international present their 9th offering from mancunian newcomer contours. technician is a percussion led rhythmic exploration, spanning 6 tracks which take in down-tempo grooves to up-beat workouts, all held together by a smooth, lucid sonic palette and arresting, unorthodox live percussive elements. already an accomplished drummer and percussionist, contours manages to combine driving rhythm, lush textures and hypnotic melodies to create a sound that feels very much at home as part of the rhythm section imprint, while simultaneously pushing it forward into new, undiscovered territory. one for the heads, one for the dancers, one for the warm up, one for the afterparty.

lucindo returns for his 2nd release on 3th records which he runs with ascion and d. carbone. alien rebellion enters with atmospheric textures and strings rising from the abyss into a new world of deep tension and emotion. once the dust has settled, we enter full out attack with industrial rhythms, ruffled percussion and acidic lazer beams. the journey continues along paths unknown, dark underlying elements of the alien attack is upon us, insanity and anxiety enter the inner dimensions of the mind. the chase is on and battle commences as we feel the power and the energy of the sonic weaponry. as we make it through the other side we feel cosmic clouds of waveforms encapsulate us, as we make our homeward journey.

herva is the artist name of hervè atsè corti. he lives in relative seclusion from the dance music world in the italian countryside around florence and is one of the most intriguing producers to work in house and techno for a while. his early musical life as a drummer, plus his extra-musical interests in engineering and electronics has informed a unique, freeform, and very tactile approach to dance music. its house and techno that doesnt adhere to the usual influences of detroit, chicago or berlin.

philadelphia s michael the lion has been making waves recently with his original productions and edits for soul clap records and razor-n-tape. michael s most known edits ep brings the philly flavour with big strings, hot percussion and uplifting vibes. he adapts the trademark sound he d developed for over a decade under the pseudonyms dj apt one and rcmp - live instruments sit seamlessly with sampled grooves to create organic, classic textures. the lion sound is always funky, always strong and always ready for the floor. a1. the hangover - a reslung take on one of the great dancefloor classics. a long-time staple of michael s tour sets. a2. know this - rock solid philly funk grooves complete with live bass and organ right in the pocket. b1. fly robert - strings and percussion rule the day on this uplifting take on a most known cut. b2. bo knows - bo knows afro-latin percussion, bo knows horns. bo knows feel-good vibes! michael s recent releases have had dj support from bicep, faze action, mark farina, the reflex, kraak & smaak, greg wilson, jacques renault, cosmo baker, mousse t, ron basejam, yam who?, razor-n-tape, nicholas, dj bruce, soul clap, sleazy mcqueen, hot toddy, pete herbert, dj rocca, inkswel, recloose and more.

at first sight, *100 ep* is the most abrasive techno output of portland duo asss. following their acclaimed singles on haunted air records, alex smith and sean sumler have crafted an excellent four-track assault of propulsive drum sounds filled with industrial textures. across the frequencies of *101* to *104*, dense dynamics and unpredictable manipulation of modules reflect their own spontaneous, improvisational style into a new highly destructive release. comes with insert.

a dead party mix for the lost souls of this world. tony boggs (aka joshua treble) is also known for his collaborations with mitchell akiyama as letters letters on type records and desormais on akiyamas own intr_version label. zero likes was recorded as tony s brother spent his last days in hospice, sampled life support machines and nurses whispers inter-splice hazy drones and jaded lo-fi beats. unfollow zooms in, giving us a dimly lit skeleton, dizzying motorik beats and paranoid textures undulate freely beneath the steady pulse.

solimano returns to his unlock recordings imprint with two mellow house cuts, featuring a pair of imaginative reinterpretations from fellow argentinean’s barem and deep mariano. originally established to promote latin american productions in 2004, unlock recordings has since hosted the likes of jorge savoretti and guti. its founder, gonzalo solimano, has proven himself time again as a label owner, dj and producer, working as a ‘mr. x’ at red bull academy for almost ten years when not performing at the likes of creamfields buenos aires, south american music conference and space world tour. ‘learjet’ is a low-slung groover complete with organic samples, bass guitar licks and a hypnotically looped vocal sample. up first on remix duties, minus regular barem subdues the raw textures of the original to generate an understated rendition, whereas get slow founder deep mariano takes it down a percussive route where an infectious rhythm is accompanied by dub inspired synths. finally, ‘calling again’ is a sensual deep house cut featuring the vocals of sophie taylor, known for her collaboration with mathias kaden, among many others.

los massieras see themselves as legitimate psychedelic explorers sonically adventuring into dark territories and furry textures. their concrete, minimal electronics, trance inducing percussive sounds and mutant disco influences are drone infected, with slight dub inflections and sometimes even an unusual cold & poppy feel, if you care to consider the residents a pop band.

driven by analog machines, and with the italian artist s typically dark and gritty stamp on it, the ep is a masterclass in functional, club-focused minimalism, splatterings of acid run wild atop drum-machine rhythms and coarse, swirling pads. idga s two originals, -no pictures- and -no glitter,- land backed by a remix from lucretio of the analog cops, who twists the deep textures of -no glitter- into a slamming slab of raw analog house.

we are very pleased to welcome the extremely talented xdb to the ferox family with these three tracks of hypnotic grooves and textures. 180g vinyl only

enter 513 is the first ep of the french duo uvb 76. four tracks of an abrasive and warlike techno. from the space race sg1 to the industrial thorn, through the warrior anthem uwe – the maxi combines analog blasts, metro smells and agressive steps influenced by noise and industrial music. enter 513 is a first cinematic essay where mechanisms and textures superimposed. both club and radical, the result is dark and visceral.

tom middleton and mark pritchards 76:14 is one of the 90s most acclaimed electronic albums, while a cast of aliases (reload, jedi knights and more) also orbited the project. their last record came out in 1997, and although there was a live reunion in 2010, the new material we were promised is yet to emerge. pritchards nowhere to be seen on this remix of duskys skin deep (its middleton flying solo), but its still an occasion. according to dusky, we knew we wanted someone special and we knew we wanted someone who would get to the heart of the melodies and textures in the breakdown. tom has totally delivered, creating something that draws on the heritage of the ambient sound, but also feels current and modern.

nado16 saw stratus take us all the way from the gower peninsula to the adriatic, and now swedish newcomer gryningen beckons us into a sepia dream for aficionado s third 10- special. the latest example of moonboots & boardman s fine ear for talent, the mysterious gryningen appears out of the shadowy stockholmsnatt without a word or a website, on hand to lead us right through the looking glass. the opiated drones of tvu kvarter frun vintergatan set the tone from the off, shifting and shimmering while languid synths lazily embrace you amid the gentle roll of the groovesome rhythm section. as the opener drifts out into the crashing waves, jag flyter omkring i en ask rises from the baltic sea with a lilting sway and understated melody. cosmic sequences sparkle like water in the moonlight and the subtle textures of acoustic guitar and chimes send us deeper into slumber. the organ-led slia dagar i rymdlaboratoriet tumbles down through the ocean murk into a subaquatic terrain of dubby reverb and psychedelic echo, illuminated occasionally by the refracted shimmer of chiming keys. from that moment of nocturnal shade we soar into the light on the swooning, swaying beauty of frun andra hand till strnnderna i nice . born out of the hazy childhood memory of matinee performances and fine white sand, this exotica inspired beauty warms the soul with its cinematic sense of wonder, all told through orchestral intricacy and steady guitar. this is a dream you ll want to have again and again. officially aficionado.

mak & pasteman return to their label materials with a 3 track ep that explores techno & dark textures to new depths.

we are proud to announce the double lp edition of echospaces phase90 project, lovingly remastered by bazza (abbey road studios/thom yorke) @ alchemy mastering, london. features unreleased new material and beautiful silk screened metallic sleeves and art direction from the very talented lindsay todd of firecracker recordings & house of traps. the entire album was bounced down to 1/4- analog tape prior to remastering to preserve the integrity of the masters. this project was deeply inspired by the possessive quality of supernatural textures, field recordings and found sounds conducted at the calvary cemetery. there is something quite haunting in the underlying tone of these recordings, an ominous feeling not for the fainthearted. -illuminati- celebrates the progression of the soul, a concept which stems from metempsychosis. the material on this album can be interpreted as sinistral--dark, heavy due to the hardware and its currencies emitted by its source--the phase 90. an acidic dream of transliminality, this is the first phase90 project to materialize in its essence, until now. limited to 500 numbered copies.